Ross Knight: Sculpting in the material world
Contributed by Millree Hughes / With precisely targeted color, texture, and feel, Ross Knight’s sculptures in his solo show “Continuous Squeeze” at Off Paradise get at what physical artifacts mean in terms of our fears, fantasies, and daily struggles. Color is critical in Knight’s work. He keeps the palette small and specific, the colors he chooses leaning towards youthful nostalgia: the baby-blue of 1960s cars in Coupled Prop, a buoy yellow with custard drips in another Coupled Prop, the creamy hue of a rawhide dog chew-toy in Device. The band in Adjusted resembles an old, spent balloon, once yellow-orange but turned raw sienna with time. Does anyone ever get over a popped balloon? It’s a toddler’s tragedy. The fleshy knots, like umbilical cord buttons, are rendered useless.
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Contributed by Millree Hughes / With precisely targeted color, texture, and feel, Ross Knight’s sculptures in his solo show “Continuous Squeeze” at Off Paradise get at what physical artifacts mean in terms of our fears, fantasies, and daily struggles. Color is critical in Knight’s work. He keeps the palette small and specific, the colors he chooses leaning towards youthful nostalgia: the baby-blue of 1960s cars in Coupled Prop, a buoy yellow with custard drips in another Coupled Prop, the creamy hue of a rawhide dog chew-toy in Device. The band in Adjusted resembles an old, spent balloon, once yellow-orange but turned raw sienna with time. Does anyone ever get over a popped balloon? It’s a toddler’s tragedy. The fleshy knots, like umbilical cord buttons, are rendered useless.
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